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Louise Glück: Poems 1962-2012
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Šifra oglasa: 38252224
Osnovne informacije
- Lokacija
- Grad Zagreb, Stenjevec, Špansko
- Jezik
- Engleski
- Stanje
- novo
- Interna šifra
- x1
Opis oglasa
GODINA IZDANJA
2013
JEZIK IZDANJA
Engleski
NAKLADNIK / PROIZVOĐAČ
MPS Macmillan Publishers
FORMAT
152 x 230 mm
BROJ STRANICA
634 stranica
UVEZ
meki uvez
MASA
0.94 kg
BARKOD
9780374534097
It is the astonishment of Louise Glück`s poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape-Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain-persistently emerge and reappear with the dark energy of the inevitable, shot through with the bright aspect of things new-made.
From the outset ("Come here / Come here, little one"), Gluck`s voice has addressed us with deceptive simplicity, the poems in lines so clear we "do not see the intervening fathoms."
2013
JEZIK IZDANJA
Engleski
NAKLADNIK / PROIZVOĐAČ
MPS Macmillan Publishers
FORMAT
152 x 230 mm
BROJ STRANICA
634 stranica
UVEZ
meki uvez
MASA
0.94 kg
BARKOD
9780374534097
It is the astonishment of Louise Glück`s poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape-Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain-persistently emerge and reappear with the dark energy of the inevitable, shot through with the bright aspect of things new-made.
From the outset ("Come here / Come here, little one"), Gluck`s voice has addressed us with deceptive simplicity, the poems in lines so clear we "do not see the intervening fathoms."
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