Aztec Les Paul Custom, 1980, Japan sa koferom

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Aztec Les Paul Custom cherry sunburst

(Chushin Gaki, Japan, radila se od kraja 1970 tih do pocetka 1980tih).

Sa tvrdim koferom

Fantasticna gitara sa super zvukom zahvaljujuci konstrukciji, drvetu i fabricki ugradjenim Dimarzio Super Distortion (Japanski klon). Radjeno u Japanu po po narudzbini nemacke firme Hopf.

Klasicnom Les Paul Custom dizajnu dodata su 2 mini prekidaca (phase in, phase out switch, I single coil switch), mesingani nut I mesingana sedla kobilice.

Odlicna 1/1 kopija Gibson Les Paul Custom. Karakteristicni originalni Gibson oblik glave. Mahagony body with maple top.

Izuzetno kvalitetno uradjena.

Originalna Gibsonova debljina tela od 50mm.

Puna tezina bez weight releif, 4.5kg!

Zamenjene civije, ima ostecenje na donjem delu pozadi kod otvora za potove.

Originalne fotografije.




The Aztec brand was created by Hopf in the late 70's to offer high quality copies of US designs. In the course of the 80s, the instruments were equipped with versatile circuits and should also look better in order to stand out from the competition.
This specimen comes in a clean cherry sunburst and is fantastically finished. The neck profile is super comfortable, with strikingly rounded fretboard edges that make you feel right at home. It was built by Chushin Gakki is solidly built, with a true-to-original full-size 50mm body (of which 15mm is the top). In terms of quality and sound, easily on the same level as a good Tokai, Greco, Burny etc.

2-piece mahogany body
2-piece maple top, glued in the middle
3-strip maple neck, medium C profile
2.2 mm neck thicness at 4th fret
Rosewood fretboard with cellulose inlays
US style truss rod
bone saddle
Frets &saddle freshly prepared, string action: 1.7 - 1.2 mm
Brass saddles
Versatile circuitry with treble bleed, coil split, dummy coil, phase inversion and bass cut
Weight: 4.5kg
Incl. case

Sound: What a sound machine. . . I don't know where to start. Here you will find a wealth of first-class sounds from clean to high gain. The bridge position delivers smacky, full LP-style mids, can be split to make the whole thing belly and TL-style wiry, and the tone control acts as a bass cut here, which can make the sound slimmer and more assertive. This is especially useful with a lot of gain. The intermediate position is a highlight undistorted by all the overtones and can be switched out of phase. The tone control on the neck works as you are used to, without any additional features. However, these humbuckers sound so open that you can also find sparkling, very bluesy clean and crunch sounds here.
It sounds no less fantastic when distorted. A fat LP tube with fast response and massive pinch harmonics. Everything stays defined and open, with solos having that certain glassiness, especially on the neck. It's an all around excellent LP that's a lot of fun.




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